Francisco Correa de Arauxo (c. 1584-1654) was a significant figure in the Spanish Renaissance, primarily known as a composer and organist. He is celebrated for his contributions to the genre of sacred music and keyboard compositions, particularly for the organ. Correa's most notable work is the "Escuela de la música," published in 1620, which serves as a comprehensive treatise on organ playing and composition. This work not only showcases his compositions but also outlines his innovative techniques and approaches to improvisation. Correa's influence extends to the development of the Spanish organ tradition, where he integrated elements of counterpoint and Spanish folk influences into his music. His compositions, characterized by their intricate counterpoint and rich harmonies, paved the way for future generations of Spanish composers. His impact can be seen in the evolution of keyboard music in Spain and the broader Baroque style, as he bridged the transition between Renaissance and Baroque practices. Correa de Arauxo's work remains a critical reference for understanding the evolution of organ music in the Iberian Peninsula, and he is recognized as one of the pivotal figures in early Spanish music history.